EVO ONE
All-in-One Wireless Streaming Speaker
Los archivos de audio digitales pueden contener increíbles detalles musicales, pero primero deben ser convertidos a analógicos para poder escucharlos. Y lo bien que suene dependerá de cómo se convierta el audio digital desde tu computadora, reproductor de red o CD. Los DAC ESS gemelos del DacMagic 200M reducen la diafonía y mejoran la separación, debido a que existe un DAC dedicado a los canales izquierdo y derecho. Estas rutas de señal totalmente balanceadas, optimizadas y eficientes revelan premios musicales previamente ocultos.
Quizás tu amplificador antiguo carezca de entradas digitales para las opciones actuales de escucha. Tal vez los DAC de tu configuración hi-fi solo necesiten un poco de ayuda. O odias cómo tu computadora reduce las muestras de audio antes de que lleguen a tus auriculares. Una cosa es segura, el DacMagic 200M es un sistema de alta fidelidad independiente que supera a los DAC integrados en cuanto a rendimiento de sonido.
El DacMagic 200M se puede utilizar con una gran variedad de fuentes digitales, y quizás con el kit que ya posees. Alternativamente, puedes emparejarlo con su hermano – nuestro reproductor en red compacto MXN10. Este equipo hi-fi de media anchura comparte el mismo diseño de sus antecesores y ahora está disponible en negro edición especial o en gris lunar. Juntos conforman un sistema hi-fi de alta credibilidad (o "head-fi", si lo prefieres).
Al ser compacto, pero no minúsculo, el DacMagic 200M tiene espacio para una gran cantidad de entradas digitales y salidas analógicas. Dos pares de entradas ópticas y coaxiales, una entrada USB para computadora y Bluetooth aptX para conexión inalámbrica mantienen contento al oyente más exigente. Un par de XLR balanceados, RCA no balanceados y una salida de auriculares de ¼” (6,3 mm) completan el cuadro.
¿Buscas una recuperación rápida y precisa sin muestreo adicional para mantener tu música intacta? El potente procesador XMOS del DacMagic 200M puede manejar 1.000 millones de instrucciones por segundo para enviar información digital a los DAC duales, que funcionan de forma asincrónica a una velocidad de 100 Mhz para convertir lo digital en analógico de una forma "perfecta".
La fascia de aluminio del DacMagic 200M tiene un botón para seleccionar una de las 4 entradas digitales posibles, otro para elegir uno de los 3 filtros digitales que se adapten a tus gustos auditivos y un control de volumen si lo estás usando como amplificador de auriculares. Posee luces LED para confirmar tu entrada y selección de filtros, con luces adicionales que indican la resolución de la música entrante.
Si estás registrado en el servicio premium de Tidal, puedes disfrutar de archivos de música MQA.
Una luz LED verde en el panel frontal del DacMagic 200M confirma que se trata de un archivo de música MQA genuino. Mientras que una luz LED azul MQA indica que estás escuchando un archivo aprobado por el artista/productor o verificado por el titular de los derechos de autor como exacto a la grabación original. En pocas palabras, el azul es lo mejor.
El DacMagic 200M es lo suficientemente pequeño como para ajustarse a una desktop, pero lo suficientemente grande para mantenerse apilado. Debido a su forma separada de media anchura, ofrece una actualización sonora mucho más grande que la caja de acero y aluminio en la que viene – ahora en un acabado gris lunar o negro edición especial. Realiza nuestra prueba en casa de 60 días para que lo escuches tu mismo.
Share your set-up on social media using @CambridgeAudio and #MyCambridgeAudio to feature on the Cambridge Wall of Fame.
CONVERSORES DE DIGITAL A ANALÓGICO | DAC dobles ESS ES9028Q2M |
FILTRO DIGITAL | Seleccionable, Rápido — Lento — Breve retraso |
FRECUENCIA DE RESPUESTA | 10 Hz – 50 kHz (±1 dB) |
THD+N a 1 Khz 0 dBFs | <0,0005 % (Ponderada A) |
RELACIÓN SEÑAL A RUIDO | >115 dB (Ponderada A) |
COMUNICACIÓN CRUZADA A 10 kHz | <-110 dB |
IMPEDANCIA DE SALIDA | <50 ohmios (no equilibrados), <100 ohmios (equilibrados) |
NIVEL DE SALIDA MÁXIMO (NO EQUILIBRADO) | 2,1 V rms (fijo o variable – seleccionable por el usuario) |
NIVEL DE SALIDA MÁXIMO (EQUILIBRADO) | 4,2 V rms (fijo o variable – seleccionable por el usuario) |
ENTRADA DIGITAL LONGITUDES DE PALABRA COMPATIBLES | 16 bit (Bluetooth), 16-24bit (óptica, coaxial), 16-24bit (USB) |
ENTRADA DIGITAL COMPATIBLE CON FRECUENCIAS DE MUESTRA | 44,1 kHz a 96 kHz PCM, DoP64 (óptica), 44,1 kHz a 192 kHz PCM, DoP64 (coaxial), 44,1 kHz a 768 kHz PCM, reproducción DSD nativa 64x a 512x, DoP 64x a 256x (USB) |
COMPATIBILIDAD MQA | Descodificación total (núcleo + procesador) |
BLUETOOTH | v4.2, perfil A2DP, códecs SBC y AptX |
SALIDA DE AURICULAR THD+N | <0,001 % a 1 kHz 0 dBFS a 100 mW a 32 ohmios |
SALIDA DE AURICULAR SEÑAL/RUIDO | >115 dB (Ponderada A) |
POTENCIA DE SALIDA MÁXIMA | >300 mW a 32 ohmios, >65 mW a 150 ohmios |
FRECUENCIA DE RESPUESTA | 10 Hz - 50 kHz (±1 dB) |
IMPEDANCIA DE AURICULARES RECOMENDADA | 10 ohmios a 600 ohmios |
CONSUMO ENERGÉTICO MÁXIMO | 12 W |
COLOR | Gris lunar |
DIMENSIONES (ALT. × ANCH. × PROF.) | 52 × 215 × 191 mm (2,0 × 8,6 × 7,6”) |
PESO | 1,2 kg/2,6 lbs |
I was looking for a DAC that would cope with input primarily from a MacBook using Apple's Lossless music. Not only does the DacMagic 200M do this but it also has a Bluetooth facility (if I ever want to use my mobile as a source) and also a headphone amp which my system preamp doesn't have. I have now spent the past few weeks listening to as wide a variety of music as possible, not just to check out my choices but to enjoy the sound quality; Jazz, Classic Rock, Classical Orchestral and sometimes where possible, I have compared it to what I have on vinyl. The DacMagic is different from my vinyl sound but so is the CD player. However, tonight I started a bit of music browsing and picked the blues track "Tin Pan Alley" from "Stevie Ray Vaughan & Double Trouble". I was so impressed that I listened to it twice! The sound stage was superb with impressive guitar and drum transients and a really solid bass. I've only really experienced that kind of quality with some half-speed mastered vinyl recordings I have. It's still early days using the unit but it is unobtrusive, well laid out and has now given my hi-fi a modern versatility it didn't have until now. It more than compliments all the other sources I use and since I have experimented with the digital filters I've found that the 'slow' filter seems to work best with my set up, the sound stage is 'correct' if that makes any sense. Cambridge Audio was a respected company when I bought my Spendor BC1 speakers way back in the 80s; its nice to see that the tradition of quality audio is still continuing today especially as this new plus old combination has brought my separates right back to the future and made me very happy indeed.
Decided to upgrade my D/A convertor for a little project mixing/listening room due to it's ability to support MQA and 192kHz which has come in handy for Tidal and mixing (not sure when or where I'll be listening to 768kHz audio anytime soon but it's useful to have the capability; future proofing I guess). It's quite a punchy sounding amp, quite clear and precise and seems to pair well with the Dynaudio LYD 7's that I running so far. A feature I would find useful is if you could switch to the headphone stage on the source selector so you don't have to keep plugging and unplugging the headphone cable when you want to switch between those and the monitors. Can't really comment on the Bluetooth side of things as I haven't spent much time with that feature. Overall a great dac which I'd recommend. I think to upgrade from this, in a home studio environment, I think I'd need to start looking at the rack mounted D/A converters.
Dear Valued Customer
Thank you for such a positive review and more importantly thanks for your trust in choosing Cambridge Audio products.It sounds like you've put together a thoughtful and versatile setup for your mixing/listening room.
The decision to upgrade your D/A converter for compatibility with MQA and higher sample rates like 192kHz is a smart move especially if you're working with Tidal and engaging in mixing projects.The ability to future-proof your equipment by supporting higher sample rates even if not currently in regular use is indeed a good strategy.
It ensures that your equipment is ready for advancements in audio technology and it seems like you've found a DAC that meets your current needs and allows for potential growth.The convenience of being able to switch to the headphone stage on the source selector is a practical feature especially in a studio environment where quick transitions between monitors and headphones are common.
This can save time and make your workflow more efficient.As for the Bluetooth feature it's always good to have it as an option even if you haven't explored it extensively yet.
It can be handy for casual listening or for connecting various devices wirelessly.Considering your satisfaction with the current DAC it's understandable that a further upgrade might involve looking into rack-mounted D/A converters which can offer additional features and scalability for a professional home studio setup.If you ever decide to explore rack-mounted options make sure to consider your specific needs such as the number of inputs and outputs additional features like digital connectivity options and overall compatibility with your existing equipment.It's great to hear that you'd recommend our Dac-200M.
We hope that it continues to bring you many hours of listening happiness.Kind Regards
Cambridge Audio Customer Support
I’ve finally finished the wiring and the repositioning and finally I’m listening to MQA on the CX courtesy of the Dacmagic. It’s wonderful. I’ve listened to MQA Studio and DSD and the sound is very satisfying. The unit sits easily on the stack. The difference is satisfying. If you want MQA from your CX system - the Dav magic does it.
Dear Customer
Thank you for such a positive review and more importantly for your trust in choosing Cambridge Audio.We hope that DacMagic>200M continues to bring you many hours of listening happiness.Kind Regards
Cambridge Audio Customer Support
Fantastic piece of equipment. Only thing I wish we could have is a remote to control it. Not an issue, but if it's possible, I'd pay for an accessory remote!